![]() ![]() There is nothing to distract us from the music. The programme is shot so that the background is entirely black. There were no recording devices in those days for kids making music in their bedrooms so “we were writing songs that were memorable, not because we wanted them to be memorable but because we had to remember them. “But it means that it’s here,” he says, pointing to his head. And even more remarkable when McCartney reminds us that he can’t read or write sheet music. ![]() There is something delightful about seeing McCartney standing by a mixing desk, rocking out to the tracks he wrote with John Lennon half a century ago. It was like being professors in a laboratory, discovering all these things.” He gives us the science of Beatles songs, from tape loops and treble boosters to roadie Mal Evans whacking “this bloody great blacksmith’s anvil” to create the sound for Maxwell’s Silver Hammer. It is three hours of McCartney in conversation with producer Rick Rubin, spread over six episodes and shot in black-and-white, during which McCartney breaks each song down to its component parts and explains how they were created. I remember being driven out of my mind in a far-flung airport lounge when the muzak was a cover version of Let It Be played on a loop.īut watching McCartney 3,2,1 (Disney+) is like discovering the Beatles’ music anew and being staggered by its breadth and brilliance (yes, even Let It Be). The Beatles’ music, meanwhile, has become part of the fabric of our lives – everyone has their favourite songs, and ones they could live without hearing again. For a superstar, he’s pretty accessible, meaning a new interview isn’t necessarily headline news. Do we take The Beatles, and Paul McCartney, for granted? McCartney has never been an ivory tower-dwelling, mysterious sort of celebrity – a few years ago he casually mentioned on Radio 4’s Today programme that he still did his shopping in B&Q – and he continues to tour and make records and find time to revisit his childhood haunts for a TV special with James Corden.
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